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Orca - Black & White Gold

Sarah Nörenberg

92 mins | 2023

Activists rally to free 100 orcas and belugas from Russian “whale jail” bound to be sold to Chinese marine parks. A captivating docu-thriller with unprecedented access showing that compassion and persistence can make a difference in a huge challenge.

Sponsored by:

Friday Harbor Grand

Friday Harbor Grand
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ORCA - BLACK & WHITE GOLD is a moving feature documentary exposing the mafia-style industry licensed by the Russian government to brutally capture, hold, and sell one of nature’s most incredible species.


Activists rally to free 100 orcas and belugas from the notorious Russian “whale jail” before they’re sold to Chinese marine parks. While the SeaWorld business model of exploiting “killer whales” for profit in captivity is fading in the West, it is on a meteoric rise across Asia. Tens of millions of dollars are on offer for captive cetaceans, and young orcas are the coveted crown jewel of several hundred marine parks already under construction across China.


In neighboring Russia, a battle is brewing between businessmen, mobsters, orca catchers, and bureaucrats as they face formidable resistance from journalists and activists taking great personal risks to fight for the freedom of an endangered species.


When a truth-seeking investigative journalist uncovers the illicit Russian orca trade to a billion-dollar market in China, fearless activists issue a call to action. The international outcry forces the Kremlin to free over 100 wild-caught orcas and belugas from the infamous “whale jail” facility where they are held captive before their sale to Chinese aquariums.


A ragtag team of orca catchers is paid by the government to set them free, launching a dangerous release operation over a thousand miles long, while a former orca trainer goes undercover in China to reveal the heartbreaking truth about life for these highly intelligent animals living in captivity. With unprecedented access to the activists and journalists who have formed a resistance to protect the kings of the ocean, the film also captures the network of businessmen, orca catchers and bureaucrats who drive the global captivity trade, desperately trying to preserve their profit derived from a brutal and exploitative market.


There’s a new insatiable appetite for one of the most magnificent animals in the wild. While in the West, SeaWorld’s business model of exploiting ‘killer whales’ for profit in captivity faces widespread public shaming, global demand in the Far East is exploding. China is building several hundred several hundred aquariums throughout its provinces — and they want orcas to play a starring role. The demand for these endangered animals is worth a staggering amount of money— tens of millions of dollars, and the new pipeline for this illicit captivity trade is in Russia.

Sarah Nörenberg

Sarah Nörenberg

Sarah's film career spans from Alaska to the Russian Far East. Her passion for impact-driven storytelling led her to join Terra Mater Studios as a producer for non-scripted and scripted content while making her directorial debut with ORCA – BLACK & WHITE GOLD, an award-winning docu-thriller on the marine mammal entertainment industry. Sarah’s professional career includes lecturing on film production at the St. Pölten University of Applied Sciences. She is the chairwoman of the board for the International Screen Institute, a European training initiative for media, film, and television. She resides in Austria.

CREDITS

Director

Sarah Nörenberg

Sea of Shadows (2019), They Called Him Spencer (2017)


Writer

Mark Monroe

Lucy and Desi (2022), The Dissident (2020), Icarus (2017), The Cove (2009)


Producer

Walter Köhler

Patrick and the Whale (2022), Sea of Shadows (2019), The Ivory Game (2016), The Arctic (2021)


Producer

Sarah Nörenberg

Sea of Shadows (2019), They Called Him Spencer (2017)


Producer

Michael Frenschkowski

Patrick and the Whale (2022), Sea of Shadows (2019), The Ivory Game (2016), The Arctic (2021)


Executive Producer

Laura Nix

Walk Run Cha-Cha (2019), Inventing Tomorrow (2018), The Yes Men Are Revolting (2014)


Executive Producer

Dinah Czezik-Müller

Patrick and the Whale (2022), Sea of Shadows (2019), The Ivory Game (2016), Watson (2019)


Editor

Max Kliewer

Save the Village (2020), Viva La Vulva (2019), Olya's Love (2014)


Editor

Verena Schönauer

Sea of Shadows (2019), The Ivory Game (2016)


Composer

Sonya Belousova

The Thing About Pam (2022), The Witcher (2019), The Romanoffs (2018), Sacred Lies (2018-2020)


Director of Photography

Sergei Amirdzhanov

The Strait Guys (2022), GES-2 (2021) Sanatorium (2018), Credit for Murder (2015), Women of the Gulag (2018), Kresty (2020)

DIRECTOR STATEMENT


This film is now years in the making and it’s been an incredible education and inspiration for me. It marks my directorial debut after spending most of my career as a documentary producer.


I had of course watched the documentary Blackfish and was amazed by the effect that it had on the captivity industry and the incredible backlash it produced against SeaWorld. Initially, I thought this topic had already been covered, and there was no more story to tell. Then, in 2018, I heard about the holding facility in Russia for wild-caught orcas and belugas dubbed the ‘whale jail’. That led to the industry’s open secret, the emerging marine park industry in China. The Russians were supplying an entertainment industry just like SeaWorld but 10 times larger and on steroids. This seemed like an unprecedented story that is happening now with a huge potential for impact!


When I set out to do a documentary on HOW today’s marine mammal entertainment industry is shaped, the question of WHO shapes it soon became paramount. I didn’t set out to find subjects to fit a certain idea or prove a point but wanted to let the audience experience a reality that has been entirely inaccessible, opaque, and purposefully kept out of the public eye.


My approach was to gain access to the industry itself and have the story told by people who are working in it, as well as those who have been resisting the industry for many years.


It would have been an easier call to make a documentary focused on a vocal group of Western voices speaking out against the captivity industry, but I was determined to pursue a more difficult path and include Russian and Chinese points of view. I did not want to make a film that simply preached to the converted, I hope to take the audience to a world they could never imagine. Eventually, I found myself spending time with the Russian catchers and businessmen who built a trade selling orcas and belugas to China. I spent months in the wild of the Russian Far East, eating canned beans (not the best place to be as a vegan), while the instigators, over vodka and black caviar, gave us insight into their business. They usually stay in the shadows, but the outcry over the whale jail meant losing a multi-million-dollar business for them, so they wanted the opportunity to tell their story.


A small team of environmentalists on the remote island of Sakhalin have been shaking up this powerful, rich group of entrepreneurs. They undertook this inspiring David v. Goliath effort, raising awareness on the illicit practices of the catches and managed to build an impact campaign so successful that the Kremlin’s hand was forced to do the right thing – despite national financial interests.


I am honored by the trust and courage Shao Ran, Evgeny, Alyona, Slava, and everyone opposing this industry placed in us by participating in this film. They demonstrate how compassion and persistence can make a difference - no matter how big the challenge.


My stylistic approach, in addition to the verité scenes, was to film direct-to-camera interviews. In the development, I became aware of the intense and diverging viewpoints of the participants. This setup supports their urgency to address and connect with the audience directly. The drone footage was shot to convey the vastness of the remote locations and to contrast the natural environment of the mammals with the confinement of the transport containers and tanks in the marine parks. Through high-production value nature shots, the beauty and nature of free-ranging orcas in their natural habitat helps the audience to connect to the animals and reminds us how these sentient beings should be living while we root for them to make their journey home.


My hope is that after watching this investigative thriller, the audience will not only feel engaged by the unique characters driving the story, and the magnitude of the events unfolding, but moved to take action after experiencing a truly inside look. The US still holds the most orcas in captivity worldwide. People are still buying tickets to be entertained by this cruel exploitation, but hopefully, this documentary will help audiences consciously reflect on our own responsibility and become aware of actions we can take to finally provide these cetaceans with a better life.

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